Doug’s Deeds, Pete’s Poem
Peter Langston | February 26, 2023
SCG 100th Test - SCG Museum 2012. Doug Walters Test Cap from Australia v WI, February 1969, when he became the first to make a double and single century in the same Test (242 and 103x).
It was my first attendance at a Test match, aged 12. I scored the double in tally marks in the back of my previous year’s maths exercise book. Wished I still had it!
In front of the cap is the coming of age poem I wrote about the event.
When Dougie Did The Double
Summer blazed in grainy black & white,
until I walked through a TV window
past stands of old corrugated iron and older wood,
into the vivid colours of my youth
and found a new home between
the Randwick and Paddington ends.
White skins were pink and brown
and black came in different shades
as a battle between willow and leather
made the sounds of resonant gun shots
across an oval billiard table
of deep green, light green mown magic.
I passed my first Test watching a first.
National service done but, he still stood to attention
to clip laconically to leg or pull with surprising violence
and all recorded in scribbled tallies
in the vacant back pages of 6th class maths.
Such days, such firsts
never to be repeated
never to be forgotten.
Heroes dressed as heroes are,
all stains and flaws lost in the whiteness,
all the same, all different,
all heroes through twelve year old senses
fresh to colour and sounds and smells
too big to imagine or rich to swallow
without savouring the sensation.
Cut grass aromas new just now;
a bobbing towelling hat mosaic
in hues so bright I still squint;
the cheering politeness to both victor and vanquished;
and a crowd wit still entertaining
down this winding corridor of years.
Wonders not lost on an aging boy’s spirit.
I was there.
I still am
Peter Langston Poetry
Peter has just released his new book is Poems At A Social Distance and costs $20 including postage in Australia. It has 95 pages and 52 poems, including three poems for kids.
“Welcome to Poems At A Social Distance, a title that stems from a series of gigs of the same name, streamed live on social media during the first height of everybody’s favourite pandemic. It was a catchy title for a time when catching was an ever present theme.
In a poet’s truth, its intention was to allude to the deliberate gap which my capacity for expressing ideas has always stood me on the other side of. I like that gap. It's both a comfort and buffer against social impertinences I would rather observe than participate in but there are times when bridges form and I must cross or be invaded. That’s when I write.
Click to buy here